The Blue Lux sculptures are kasuri dyed wool yarns that were tied in the patterns of waterfalls, the fibers original intent was to be woven into a into fabric however many of the threads were too weak from the dying process to be made into fabric.
As they are their form communicates tactility both light and weight in an attempt to describe the moment where light joins together and transfers information.
This cross pattern was created by intermixing weave make and a 12 harness dobby loom inter levered with image cataloging software, by creating an algorithmic spread sheet based on the binary pattern of hundreds of cross weave patterns from Japanese fabric samples stemming from the late Azuchi-Momoyama Period, many of which I pulled from the archives of the Philadelphia Museum of Art myself and cataloged 100 thread square sample notations.